От Рафаэля до Кавалера д’Арпино. Устройство римских живописных мастерских XVI века

Debendetti A. The Making of the Cartoons: Raphael and His Workshop // The Raphael Cartoons. London: VA Publishing, 2020. P. 26–45.
Delumeau J. Vie économique et sociale de Rome dans la seconde moitié du XVIe siècle. Paris: De Boccard, 1957.
Delumeau J. La seconde gloire de Rome. XV–XVIe siècle. Paris: Perin, 2013.
Delumeau J., Roche D. Histoire des pères et de la paternité. Paris: Larousse, 1990.
Dollmayr H. Raffaels Werkstätte // Jahrbuch der kunsthistorischen. Sammlungen des Allerhöchsten Kaiserhauses. 1895. № 16. S. 231–363.
Eastlake Ch. L. Materials for a History of Oil Painting. London: Longman, Brown, Green and Longmans, 1847.
Eitel-Porter R. Artistic Co-Operation in Late Sixteenth-Century Rome: The Sistine Chapel in S. Maria Maggiore and the Scala Santa // The Burlington Magazine. 1997. Vol. 139. № 1132. P. 452–462.
Elet Y. Architectural Invention in Renaissance Rome: Artists, Humanists, and the Planning of Raphael’s Villa Madama. Cambridge: Cambridge University Press, 2018.
Emison P. Raphael’s Multiples // The Cambridge Companion to Raphael / Ed. M. Hall. Cambridge: Cambridge University Press, 2005. P. 186–206.
Esch A. Economia, cultura mareliale ed arte nella Roma del Rinascimento. Roma: Roma nel Rinascimento, 2007.
Ettlinger L. D. The Sistine Chapel before Michelangelo. Religious Imagery and Papal Primacy. Oxford: Oxford University Press, 1965.
Ettlinger L. D. Antonio and Pietro Pollaiolo. Oxford: Phaidon, 1978.
Even Y. Artistic Collaboration in Florentine Workshops: Quattrocento: Ph.D. thesis. Columbia University, 1984.
Fahy E. Michelangelo and Domenico Ghirlandaio // Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss / Eds. I. Lavin, J. Plummer. New York: New York University Press, 1977. P. 152–156.
Falcioni A. Documenti urbinati sulla famiglia Santi // Raffaello e Urbino: la formazione giovanile e i rapporti con la città natale. Milano: Electa, 2009. P. 268–284.
Ferino-Pagden S. Disegni Umbri del Rinascimento da Perugino a Raffaello. Firenze: L. S. Olschki, 1982.
Ferino-Pagden S. Gallerie dell’Accademia di Venezia. Catalogo dei disegni antichi. Disegni umbri. Milano: Electa, 1984.
Ferino-Pagden S. The Early Raphael and His Umbrian Contemporaries // Raphael before Rome. Studies in the History of Art / Ed. J. Beck. Washington D. C.: National Gallery of Art, 1986. P. 93–107.
Ferino-Pagden S. Giulio Romano pittore e disegnatore a Roma // Giulio Romano. Milano: Electa, 1989. P. 65–96.
Fischel O. Raphael’s Auxiliary Cartoons // The Burlington Magazine. 1937. № 71. P. 167–168.
Flick G. R. Masters and Pupils: The Artistic Succession from Perugino to Manet. 1480–1880. London: Hogarth Arts, 2008.
Fracchia C. Gaspar Becerra: a Spaniard in the Workshop of Daniele da Volterra // The Sculpture Journal. 1999. № 3. P. 6–13.
Freedberg S. J. Painting in Italy. 1500–1600. Harmondsworth: Penguin Books, 1970.
Freedberg S. J. A Fugue of Styles: Roman Drawings of the Sixteenth Century // The Art Institute of Chicago Centennial Lectures. Chicago: The Art Institute of Chicago. 1983. Vol. 10. P. 58–77.
Friedländer W. Die Entstehung des antiklassischen Stils in der italienischen Malerei um 1520 // Repertorium für Kunstwissenschaft. 1925. № 46. S. 49–86.
Friedländer W. Mannerism and Anti-mannerism in Italian Painting. [1957] New York: Columbia University Press, 1990.
Friedländer W. Caravaggio Studies. New York: Schocken Books, 1969.
From Raphael to Carracci: The Art of Papal Rome / Ed. D. Franklin. Ottawa: National Gallery of Canada, 2009.
Frommel Ch. L. Baldassare Peruzzi als Maler und Zeichner. Wien: A. Schroll, 1967–1968.
Frommel Ch. L. I tre progetti bramanteschi per il Cortile del Belvedere // Il Cortile delle Statue. Der Statuenhof des Belvedere im Vatikan. Mainz: Von Zabern, 1998. P. 49–53.
  
Frommel Ch. L. Michelangelos Handschrift und die Chronologie seiner frühen Zeichnungen // Michelangelo als Zeichner. Akten des Internationalen Kolloquiums / Eds. C. Echinger-Maurach, A. Gnann, J. Poeschke. Münster: Rhema, 2013. S. 117–144.
Fučíková E. Giulio Romano and his Workshop: Designs for Artisans / Eds. Drawings Defined. W. L. Strauss, T. Felker. New York: Abaris Books, 1987. P. 217–228.
Gabrielli E. O. La «florentina methodus»: pratica e pratiche di bottega a Roma nel XV secolo // Il ’400 a Roma. La rinascita delle arti da Donatello a Perugino. Milano: Skira, 2008. P. 63–69.
Gage F. Giulio Mancini and Artist-Amateur Relations in Seventeenth-Century Roman Academies // The Accademia Seminars: The Accademia di San Luca in Rome, ca. 1590–1635 / Ed. P. M. Lukehart. New Haven: Yale University Press, 2009. P. 247–287.
Garin E. Guarino Veronese e la cultura a Ferrara // Ritratti di umanisti. Firenze: Sansoni, 1967. P. 69–106.
Gasparri C. Rome Restored: villas, collections, and gardens of antiquities in sixteenth-century Rome // From Raphael to Carracci: The Art of Papal Rome / Ed. D. Franklin. Ottawa: National Gallery of Canada, 2009. P. 39–51.
Gaudioso A., Filippa M. Gli affreschi di Paolo III a Castel Sant’ Angelo 1543–1548. Progetto ed esecuzione. Roma: De Luca Editore, 1981. — 2 vols.
George R. Organisation et mise en place de l’atelier de l’Accademia di San Luca de Rome au primo Seicento // Studiolo. 2016. № 13. P. 146–165.
Gere J. A. Girolamo Muziano and Taddeo Zuccaro: A note on an Early Work by Muziano // The Burlington Magazine. 1966. Vol. 108. № 761. P. 417–419.
Gere J. A. Taddeo Zuccaro. His Development Studied in his Drawings. Chicago: Faber, 1969.
Gere J. A. I disegni dei maestri: Il manierismo a Roma. Milano: Fabbri, 1971.
Gere J. A. Drawings by Raphael and his Circle. New York: Pierpont Morgan Library. 1987.
Gere J. A., Pouncey Ph. Italian Drawings in the British Museum: Raphael and his Circle. London: The British Museum, 1962. — 2 vols.
Gere J. A., Pouncey Ph. Italian Drawings in the Department of Prints and Drawings at the British Museum: Artists Working in Rome c. 1550 to c. 1640. London: British Museum Publications, 1983. — 2 vols.
Gentilucci А. Il Gran Palazzo Farnese di Caprarola. Viterbo: Tipografia Spada, 2003.
Giulio Romano a Mantova. Con nuova e stravagante maniera. Milano: Skira, 2019.
Giulio Romano. Milano: Electa, 1989.
Glasser H. Artists’ Contracts of the Early Renaissance. New York: Garland, 1977.
Gnoli U. Pietro Perugino. Spoleto: Claudio Argentieri Edizioni d’Arte, 1923.
Godfrey D. Review of Michelangelo als Zeichner. Akten des Internationalen Kolloquiums / Eds. C. Echinger-Maurach, A. Gnann, J. Poeschke. Münster: Rhema, 2013; The Burlington Magazine. 2014. Vol. 156. № 1338. P. 603–604.
Goffen R. Renaissance Rivals: Michelangelo, Leonardo, Raphael and Titian. New Haven; London: Yale University Press, 2002.
Goldstein C. Visual Fact over Verbal Fiction: A Study of the Carracci and the Criticism, Theory, and Practice of Art in Renaissance and Baroque Italy. Cambridge: Cambridge University Press, 1988.
Goldstein C. Teaching Art. Academies and Schools from Vasari to Albers. Cambridge: Cambridge University Press, 1996.
Goldthwaite R. The Economy of Renaissance Italy. The Preconditions for Luxury Consumption // I Tatti Studies in the Italian Renaissance. Chicago: The University of Chicago Press, 1987. Vol. 2. P. 15–39.
Gonetta G. Bibliografia statutaria dell corporazioni d’arti e mestieri in Italia, con saggio della bibliografia estera. Roma: Forzani, 1891.